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Paris Surréaliste - Comité Professionnel des Galeries d'Art

Paris (3e)

Galerie Jeanne Bucher Jaeger

NATURAL HISTORY -
Max Ernst (edition
published by Jeanne Bucher
in 1926)
From 21st September 2024
to 18 January 2025

On the eve of its centenary in 2025,
the Jeanne Bucher Jaeger Gallery
is exhibiting the edition HISTOIRE
NATURELLE by Max Ernst, published
in 1926 by Jeanne Bucher. This is one of
one of the very first albums
of Éditions Jeanne Bucher,
which continued with
artists and poets such as Max Ernst
and poets such as Max Ernst, Tristan Tzara
Tzara, Georges Hugnet, Man Ray,
Paul Eluard, Hans Bellmer, Yves Tanguy
Tanguy, Jean Hugo and others,
consists of 34 frottages
by the artist, was the subject of a special
a special presentation in the Pierre Chareau
the Pierre Chareau boutique between
between 24 April and 15 May 1926.
In dialogue with this presentation
d'Histoire Naturelle, by Max Ernst,
a new exhibition by Evi Keller
exhibition by Evi Keller, ORIGINES.
Paris Surréaliste - Comité Professionnel des Galeries d'Art

Paris (3e)

Galerie Jean-François Cazeau

André Masson: surrealism
revolutionary
André Masson
From 26 September to 21 December
Opening on 26 September
Curator: Diana Durlanescu

This exhibition offers a plunge
into the artistic world of the artist
André Masson (1896-1987),
who met André Breton in 1924
and remained linked to him throughout his life,
particularly during their exile
on the American continent.
His artistic output, marked
marked by a constant search
variety and originality
in all its inventiveness.
inventiveness.
Some thirty works represent
all of Masson's creative periods
Masson, from his cubist beginnings
cubist beginnings to his search for an abstract
abstract pictorial language
the 1950s. The exhibition André
Masson: Revolutionary Surrealism,
reveals all the facets of the artist's
of the artist's work, summarised
summed up by Breton's enthusiastic
Breton's enthusiastic phrase: ‘Eclecticism leads, nothing
more beautiful’.
Paris Surréaliste - Comité Professionnel des Galeries d'Art

Paris (6e)

Charles-Wesley Hourdé

Surrealism: contact zones
Africa, Oceania and North
America as places
of dialogue and friction
Works by anonymous artists
anonymous artists from Africa, Oceania
and North America,
half of which
belonged to surrealist
surrealist artists, as well as
archival documents.
From 3 September to 20 September
Opening on 3 September
Curators: Yaëlle Biro,
Charles-Wesley Hourdé,
Nicolas Rolland.

The approach is twofold. The first is to
to highlight the existence of a set of
of capillaries, of concrete
of the members
of the Surrealist movement with
these arts - actions, facts, documents
collecting - that helped
to establish and root a relationship
relationship that lasted several
decades, an encounter with the
marvellous. In the second part
the exhibition reverses the approach
through a group of carefully selected
carefully selected works
from Oceania, Africa and North
America, evoking the importance to these
of dreams and the unconscious
the unconscious. Through an interplay of mirrors
this approach offers a nuanced
of the Surrealists' relationship
relationship between the Surrealists
placing these works more at the centre
at the centre of the narrative on modernism
- in the body of the text rather
rather than in the footnotes.
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